Elegiac Couplets
Hexameter, then pentameter: six feet, then two halves of two and a half feet.
How It Works
| Line | Pattern |
|---|---|
| hexameter | six feet, each a dactyl or a spondee, as in the epic line |
| pentameter, first half | dactyl or spondee, dactyl or spondee, one long syllable |
| pentameter, second half | dactyl, dactyl, one long syllable |
Take Ovid's line Attice, crede mihi, militat omnis amans. The first half is at-ti-ce | cre-de-mi | hi, and the second half is mi-li-tat | om-nis-a | mans.
The pentameter often ends the couplet with a short, sharp phrase.
An elegiac poem is a run of such couplets, and each couplet usually closes a thought.
Examples (4)
- Odi et amo. Quare id faciam, fortasse requiris.
I hate and I love. Why I do it, you may ask.
Catullus 85.1, the hexameter. It scans as dactyl, spondee, dactyl, spondee, dactyl, spondee.
- Nescio, sed fieri sentio et excrucior.
I do not know, but I feel it happening, and I am tormented.
Catullus 85.2, the pentameter. Each half has two dactyls and a long syllable.
- Militat omnis amans, et habet sua castra Cupido;
Every lover is a soldier, and Cupid has his own camp;
Ovid, Amores 1.9.1, the hexameter that opens the poem. The pentameter follows it.
- Attice, crede mihi, militat omnis amans.
Atticus, believe me, every lover is a soldier.
Ovid, Amores 1.9.2, the pentameter. It repeats the opening words of the hexameter.
How It Connects
Learn This First
The elegiac couplet starts with a hexameter.